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課程名稱 |
表導演專題：寫實戲劇
Acting/Directing Topics: Realistic Drama |
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開課學期 |
112-1 |
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授課對象 |
文學院 戲劇學系 |
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授課教師 |
呂柏伸 |
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課號 |
Thea2621 |
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課程識別碼 |
109 23050 |
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班次 |
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學分 |
3.0 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
星期一8,9,10(15:30~18:20) |
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上課地點 |
總一館118 |
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備註 |
初選不開放。本課程中文授課,使用英文教科書。須經甄選，方式請見大綱之課程要求欄。第一次上課舉行甄選。
限本系所學生(含輔系、雙修生) 且 限學士班二年級以上
總人數上限：20人 |
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課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
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課程大綱
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為確保您我的權利,請尊重智慧財產權及不得非法影印
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課程概述 |
Stanislavsky was the first to outline a systematic approach for using human experience to create truthful acting. Yet, it is often misunderstood or misapplied. This course offers a comprehensive account of Stanislavsky's approach from the actor training to final performance. Students will also practice the training exercises developed by Stanislavsy. In addition, the work of Sandford Meisner's notable repetition exercises will be also introduced to students. |
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課程目標 |
1. To help students to become familiar with the tools developed from the Stanislavsky System.
2. Students will learn how to experience and access the truth of emotions and actions.
3. To learn how to work with a text.
4. To help students to build confidence in creating a character. |
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課程要求 |
甄選資格：已修畢表演一(上下)、排演一(上下)
欲修課者，請於8月25日以前，將以下資料email至柏伸老師信箱poshenlu09@ntu.edu.tw，逾期者視同放棄甄選資格。
1、 修習這門課的動機與期待。
2、 請寫下一個你至今仍舊耿耿於懷的故事 (必須要親身經歷，你自己的故事，而不是聽來的，別人的故事) |
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預期每週課後學習時數 |
6 hours |
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Office Hours |
備註： Monday 13-15
Friday 13-15 |
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指定閱讀 |
Esper, William and DiMarco, Damon, The Actor's Art and Craft, Anchor, 2014
Meisner, Sanford and Longwell, Dennis, Sanford Meisner on Acting, New York: Vintage Books, 1987
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參考書目 |
Merlin, Bella, Beyond Stanislavsky: The Pscyho-Physical Approach to Actor Training, London: Nick Hern Books, 2001
Richards, Thomas, At Work with Grotowski on Physical Action, London and New York: Routledge, 1995.
Toporkov, Vasily Osipovich, Stanislavski in Rehearsal, New York: Routledge, 1979. |
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評量方式
(僅供參考) |
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針對學生困難提供學生調整方式 |
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上課形式 |
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作業繳交方式 |
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考試形式 |
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其他 |
由師生雙方議定 |
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週次 |
日期 |
單元主題 |
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第1週 |
9/04 |
Audition
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第2週 |
9/11 |
Introduction to the Course
1. The development of the Stanislavsky System
2. Awareness/ Easy and Focus
3. Repetition (I) : Did you hear what he said? /Did you really hear what he really said? |
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第3週 |
9/18 |
Imagination and Action (I) - Acting in Circumstances/Acting with Others
Repetition (II): Developing Concentration |
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第4週 |
9/25 |
Repetition (III) : How to justify absolutely anything?
Repetition (IV): Open yourself to receive
繳交第一篇文獻閱讀報告 |
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第5週 |
10/02 |
Your Presentation of “My Box” |
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第6週 |
10/09 |
Imagination and Action (II) –What do I want?
Repetition (V): Objectives and Expectations: Be careful what you want. |
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第7週 |
10/16 |
Repetition (VI): Action Problems: Awaken your innner criminal
Farewell to Repetion: Don't do anything unless something happens to make you do it
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第8週 |
10/23 |
Your Presentation of My Own Story (I)
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第9週 |
10/30 |
Your Presentation of My Own Story (II)
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第10週 |
11/06 |
Scene work: private conversations - approach the text and pick up your impulse
Exploring Text and Character (I): Subdividing a play into bits/events |
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第11週 |
11/13 |
Exploring Text and Character (II): Meeting with your character
Daydreams, Fantasises and Your Inner Life: Emotional Preparation
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第12週 |
11/20 |
Exploring Text and Character (III): Discovering the action/conflict
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第13週 |
11/27 |
Exploring Text and Character (IV): Creating a physical life of your character
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第14週 |
12/04 |
Theatre Week |
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第15週 |
12/11 |
Scene Work Supervision |
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第16週 |
12/18 |
Your Presention of your scene work |
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