課程資訊
課程名稱
歐洲現代主義
Europe Modern 
開課學期
110-2 
授課對象
文學院  外國語文學研究所  
授課教師
齊東耿 
課號
FL7220 
課程識別碼
122 M3240 
班次
 
學分
3.0 
全/半年
半年 
必/選修
選修 
上課時間
星期一2,3,4(9:10~12:10) 
上課地點
博雅306 
備註
本課程以英語授課。第二、三類。
限碩士班以上
總人數上限:10人 
Ceiba 課程網頁
http://ceiba.ntu.edu.tw/1102FL7220_ 
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課程概述

Course Description and Objectives:
This course aims to familiarize students – even those primarily focused on English/British literature – with the European-wide ferment in the arts of both the “Avant-Garde” and “High Modernism” in the first third of the twentieth century. We will be reading three novels and a play in their entirety, plus selections from a number of other texts – primary and secondary – from the modernist period. Finally, there will be a critical dimension each week, a secondary text the presentation of which will be the task of the students over the course of the semester (depending on enrolment, one “secondary work” presentation per student). Students are required to pursue an individual research project (for a semester-final paper) according to their own interests using primary or secondary material from the class or integrating outside Modernist material, and are especially encouraged to work in their chosen second foreign language (French, German, Italian, Spanish) in addition to working in the collectivity of the seminar on the main material, in English or in English translation. The course ought to give first-year students a strong initial exposure to modernist literature and second-year students who are already interested in modernism a chance to explore more fully a particular writer or issue, perhaps with the thesis in mind. 

課程目標
 
課程要求
Requirements:
Regular class attendance is expected (20%). Each student, in addition to regular class participation, will be expected to give a presentation (30%) over the course of the semester on a primary, related, or secondary text. The details will be discussed at the beginning of the course (it depends on the enrollment numbers).
The main grade will be a semester-final paper on a topic of the student’s choice but addressing one of the major authors and a theoretical aspect of modernity. The paper will be worth 50% of the final grade. 
預期每週課後學習時數
 
Office Hours
另約時間 備註: Monday 3-5 
參考書目
Reference Texts:

Adorno, Theodor W. Notes to Literature [1958-74]. 2 vols. Trans. Shierry Weber Nicholsen. New York: Columbia UP: 1991-92.
Adorno, Theodor W. Prisms [1955]. Trans. Samuel and Shierry Weber. Cambridge: MIT, 1983.
Auerbach, Erich. Mimesis. Trans. Willard Trask. Princeton: Princeton UP, 1953.
Benjamin, Walter. Selected Writings, ed. Marcus Bullock and Michael W. Jennings, et al. 4 vols. Cambridge: Harvard UP, 1996-2003.
Benjamin, Walter. Understanding Brecht. London: Verso, 1983.
Benn, Gottfried. Primal Vision. Trans. E.B. Ashton. New York: New Directions, 1971.
Bergson, Henri. Matter and Memory. Trans. N.M. Paul and W.S. Palmer. Brooklyn: Zone, 1990.
Bishop, John. Joyce’s Book of the Dark. Madison: U of Wisconsin P, 1993.
Bradbury, Malcolm and James McFarlane, Modernism: A Guide to European Literature, 1890-1930 London: Penguin, 1976.
Bürger, Peter. Theory of the Avant-Garde, trans. Michael Shaw. Minneapolis: U of Minnesota P, 1984.
Calinescu, Mattei, Five Faces of Modernity. 2nd ed. Durham: Duke UP, 1987.
Compagnon, Antoine, Five Paradoxes of Modernity. Trans. Franklin Philip. New York: Columbia UP, 1993.
Deleuze, Gilles. Proust and Signs. Trans. Richard Howard. Minneapolis: U of Minnesota P, 2004.
Deleuze, Gilles and Félix Guattari. Kafka: Towards a Minor Literature. Trans. Dana Polan. Minneapolis: U of Minnesota P, 1986.
Eagleton, Terry. The English Novel: An Introduction. Oxford: Blackwell, 2005.
Gay, Peter, Modernism, the Lure of Heresy From Baudelaire to Beckett and Beyond. New York: Norton, 2008.
Goldman, Jane, Modernism, 1910-1945: Image to Apocalypse. Basingstoke: Palgrave, 2004.
Hofmannsthal, Hugo von. The Whole Difference: Selected Writings of Hugo von Hofmannsthal. Ed. J.D. McClatchy. Princeton: Princeton UP, 2008.
Jameson, Fredric Brecht and Method. New York: Verso, 1998.
Jameson, Fredric. The Modernist Papers. New York: Verso, 2007.
Jameson, Fredric. A Singular Modernity. New York: Verso, 2002.
Jameson, Fredric, ed. Aesthetics and Politics. London: Verso, 1980.
Kenner, Hugh, The Pound Era. Berkeley: U of California P, 1971.
Kiberd, Declan. Ulysses and Us. New York: Knopf, 2009.
Kolakowski, Leszek. Modernity on Endless Trial. Chicago: U of Chicago P, 1997.
Kraus, Karl. In these Great Times: A Karl Kraus Reader. Ed. Harry Zohn. Chicago: U of Chicago P, 1990.
Kristeva, Julia. Proust and the Sense of Time. Trans. Stephen Bann. New York: Columbia UP, 1993.
Lewis, Pericles, The Cambridge Introduction to Modernism. New York: Cambridge UP, 2007.
Lewis, Pericles, Modernism, Nationalism and the Novel. New York: Cambridge UP, 2000.
Moretti, Franco. Modern Epic. New York: Verso, 1996.
Moretti, Franco. Signs Taken for Wonders. London: Verso, 1988.
Nicholls, Peter. Modernisms: A Literary Guide. 2nd ed. Basingstoke: Palgrave, 2009.
Osborne, Peter. The Politics of Time: Modernity and the Avant-garde. 2nd ed. London: Verso, 2011.
Ricoeur, Paul. Time and Narrative. Vol 2. Trans. Kathleen McLaughlin and David Pellauer. Chicago: U of Chicago P, 1985.
Simmel, Georg. The Sociology of Georg Simmel. Ed. and trans. Kurt H. Wolff. New York: Free Press, 1950.
Spengler,Oswald. Der Untergang des Abendlandes/ The Decline of the West [1918]
Spivak, Gayatri C. In Other Worlds. New York: Routledge, 1988.
Steiner, George. In Bluebeard’s Castle: Some Notes Towards the Redefinition of Culture. New Haven: Yale, 1971.
Steiner, George. No Passion Spent. New Haven: Yale, 1996.
Williams, Raymond. The Politics of Modernism. London: Verso, 1989. 
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