週次 |
日期 |
單元主題 |
第1週 |
9/13 |
“The Frog” |
第2週 |
9/20 |
“The Republic” |
第3週 |
9/27 |
“The Best Style of Orator” |
第4週 |
10/04 |
“The Art of Poetry” |
第5週 |
10/11 |
“The Politics of Primitivism” “Antonin Artaud and the Theatre of Cruelty” |
第6週 |
10/18 |
“On the Sublime” “On the Spectacles” “Comedy and Tragedy” |
第7週 |
10/25 |
“On the Balinese Theatre” (Artaud) “Great Reckonings in a Simulated City: Artaud’s Misunderstanding of Balinese Theatre” |
第8週 |
11/01 |
“The Defense of Poesy”(168-177) “Encyclopedia”(287-292) |
第9週 |
11/08 |
Chapters from Feminist Theories for Dramatic Criticism, by Gayle Austin |
第10週 |
11/15 |
“Aristotle’s Oedipus Complex” |
第11週 |
11/22 |
“The Stage as a Moral Institution” (440-445) |
第12週 |
11/29 |
“On the Tragic Art” (448-457) “The Pahtetic” (458-467) “Reflections” (468-471) |
第13週 |
12/06 |
Chapters from Performance: A Critical Introduction, by Marvin Carlson |
第14週 |
12/13 |
Chapters from The Theory of the Theatre and Other Principles of Dramatic Criticism, by Clayton Hamilton |
第15週 |
12/20 |
“Reading for the Plot” |
第16週 |
12/27 |
Two Articles by Auslander |
第17週 |
1/03 |
The Male Gaze in Films |
第18週 |
1/10 |
Review |