週次 |
日期 |
單元主題 |
第1週 |
9/15 |
“The Frog” |
第2週 |
9/22 |
“The Republic” |
第3週 |
9/29 |
“The Best Style of Orator” |
第4週 |
10/06 |
“The Art of Poetry” |
第5週 |
10/13 |
“The Politics of Primitivism”
“Antonin Artaud and the Theatre of Cruelty”
|
第6週 |
10/20 |
“On the Sublime”
“On the Spectacles”
“Comedy and Tragedy”
|
第7週 |
10/27 |
“On the Balinese Theatre” (Artaud)
“Great Reckonings in a Simulated City: Artaud’s Misunderstanding of Balinese Theatre”
|
第8週 |
11/03 |
“The Defense of Poesy”(168-177)
“Encyclopedia”(287-292)
|
第9週 |
11/10 |
Chapters from Feminist Theories for Dramatic Criticism, by Gayle Austin |
第10週 |
11/17 |
“Aristotle’s Oedipus Complex” |
第11週 |
11/24 |
“The Stage as a Moral Institution” (440-445) |
第12週 |
12/01 |
“On the Tragic Art” (448-457)
“The Pahtetic” (458-467)
“Reflections” (468-471)
|
第13週 |
12/08 |
Chapters from Performance: A Critical Introduction, by Marvin Carlson |
第14週 |
12/15 |
Chapters from The Theory of the Theatre and Other Principles of Dramatic Criticism, by Clayton Hamilton |
第15週 |
12/22 |
“Reading for the Plot” |
第16週 |
12/29 |
Two Articles by Auslander |
第17週 |
1/05 |
The Male Gaze in Films |
第18週 |
1/12 |
Review |