週次 |
日期 |
單元主題 |
第1週 |
2/22 |
“The Frog” |
第2週 |
3/01 |
“The Republic” |
第3週 |
3/08 |
“The Best Style of Orator” |
第4週 |
3/15 |
“The Art of Poetry” |
第5週 |
3/22 |
“The Politics of Primitivism” “Antonin Artaud and the Theatre of Cruelty” |
第6週 |
3/29 |
“On the Sublime” “On the Spectacles” “Comedy and Tragedy” |
第7週 |
4/05 |
“On the Balinese Theatre” (Artaud) “Great Reckonings in a Simulated City: Artaud’s Misunderstanding of Balinese Theatre” |
第8週 |
4/12 |
“The Defense of Poesy”(168-177) “Encyclopedia”(287-292) |
第9週 |
4/19 |
Chapters from Feminist Theories for Dramatic Criticism, by Gayle Austin |
第10週 |
4/26 |
“Aristotle’s Oedipus Complex” |
第11週 |
5/03 |
“The Stage as a Moral Institution” (440-445) |
第12週 |
5/10 |
“On the Tragic Art” (448-457) “The Pahtetic” (458-467) “Reflections” (468-471) |
第13週 |
5/17 |
Chapters from Performance: A Critical Introduction, by Marvin Carlson |
第14週 |
5/24 |
Chapters from The Theory of the Theatre and Other Principles of Dramatic Criticism, by Clayton Hamilton |
第15週 |
5/31 |
“Reading for the Plot” |
第16週 |
6/07 |
Two Articles by Auslander |
第17週 |
6/14 |
The Male Gaze in Films |
第18週 |
6/21 |
Review |