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課程名稱 |
音樂與浪漫主義
Music and Romanticism |
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開課學期 |
109-1 |
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授課對象 |
學程 歐洲暨歐盟研究學程 |
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授課教師 |
陳人彥 |
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課號 |
Music5052 |
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課程識別碼 |
144 U0790 |
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班次 |
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學分 |
3.0 |
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全/半年 |
半年 |
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必/選修 |
選修 |
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上課時間 |
星期三2,3,4(9:10~12:10) |
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上課地點 |
樂學館105 |
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備註 |
初選不開放。本課程中文授課,使用英文教科書。【專業課程】：A、B方案。有興趣修課學生請以email方式與授課教師聯絡。
總人數上限：15人 |
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Ceiba 課程網頁 |
http://ceiba.ntu.edu.tw/1091romanticism |
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課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
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課程大綱
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課程概述 |
This course examines the phenomenon of Romanticism both as an era of European music history with an associated stylistic idiom and as a way of thinking about music present to a greater or lesser degree in many periods and locales other than nineteenth-century Europe. It will also explore the styles of musical Romanticism as well as some of the central tenets of Romantic thinking, such as the necessary connection between art and life, the importance of originality and novelty, the mystery of genius, and the emphasis upon transcendence and sublimity, and consider some of the cultural factors that have problematically promoted the ideology of Romanticism as a “universal” truth about music. |
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課程目標 |
待補 |
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課程要求 |
待補 |
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預期每週課後學習時數 |
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Office Hours |
另約時間 |
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參考書目 |
Dahlhaus, Carl. The Idea of Absolute Music, translated by Roger Lustig (Chicago, 1991).
Daverio, John. Nineteenth-Century Music and the German Romantic Ideology (New York, 1993).
Hanslick, Eduard. On the Musically Beautiful, translated by Geoffrey Payzant (Indianopolis, 1986).
Hoffmann, E.T.A. E.T.A Hoffmann’s Musical Writings: “Kreisleriana,” “The Poet and the Composer,” “Music Criticism”, ed. David Charlton (Cambridge, 1989).
Honour, Hugh. Romanticism (New York, 1979).
McGann, Jerome J. The Romantic Ideology: A Critical Investigation (Chicago, 1983).
Rosen, Charles. The Romantic Generation (Cambridge, Massachusetts, 1995).
Schorske, Carl. Fin-de-siecle Vienna (Cambridge, 1981).
Taruskin, Richard. “Back to Whom? Neoclassicism as Ideology,” 19th-Century Music xvi (1992-93), 286-302.
Weber, Eugen. France: Fin de siecle (Cambridge, Massachusetts, 1986).
Webster, James. “The Creation, Haydn’s Late Vocal Music, and the Musical Sublime,” in Elaine Sisman, editor, Haydn and His World (Princeton, 1997), 57-102. |
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指定閱讀 |
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評量方式
(僅供參考) |
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