課程名稱 |
音樂審美聆聽與美學 LISTENING AND MUSIC AESTHETICS |
開課學期 |
98-1 |
授課對象 |
文學院 音樂學研究所 |
授課教師 |
王育雯 |
課號 |
Music5062 |
課程識別碼 |
144 U0900 |
班次 |
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學分 |
3 |
全/半年 |
半年 |
必/選修 |
選修 |
上課時間 |
星期三2,3,4(9:10~12:10) |
上課地點 |
樂學館105 |
備註 |
限學士班三年級以上 總人數上限:15人 |
Ceiba 課程網頁 |
http://ceiba.ntu.edu.tw/981aes_wang |
課程簡介影片 |
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核心能力關聯 |
核心能力與課程規劃關聯圖 |
課程大綱
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為確保您我的權利,請尊重智慧財產權及不得非法影印
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課程概述 |
什麼才構成音樂的美?是它的結構?是旋律、和聲、節奏?還是它所表達的感覺、情緒?它所描繪的景物、情節?美的音樂等於「好聽」的音樂嗎?什麼是「好聽」? 音樂的美和它對人實際發生的作用有關連嗎?
不同文化中,音樂的美是否完全不同?如何不同?音樂的美有客觀標準嗎?如果有,為何沒有人能夠明確指出這些標準而受到大家一致認同?如果沒有,為何音樂美學家、理論家、評論家對於樂曲的優缺點(如coherence, balance等等)述說得頭頭是道,彷彿客觀的標準就在眼前?究竟音樂中有沒有可以讓眾人一致同意的「美」可言?對於音樂的美,又有哪些不同的看法?
本課程將藉由各種審美觀的相關文獻之討論,以及對於實際樂曲的賞析探究,落實我們對不同的音樂審美觀的理解、評論與分析。
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課程目標 |
本課程的目的,即在探討何謂音樂的美。特別是漢文化與歐洲文化之間,對音樂的價值、音樂的美有何不同主張?其背後的理由為何?其看法如何落實於樂曲之中?在不同的審美觀與價值觀之下,對於樂曲的欣賞角度是否不同?
不同文化的樂曲所適宜的審美活動是否本質上完全不同?或者仍有部分層面相通?在這些不同,甚至相左的看法或本質中,我們該如何取捨,如何與之共存?
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課程要求 |
平日口頭報告:每人一次,在上課時對於所指定的文獻作要點報告,並於報告前一週將要點整理交給授課教師修改,以便上課報告時,發給同學參考。
期末報告:對於所選的題目做(1)口頭報告,及(2)書面報告 |
預期每週課後學習時數 |
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Office Hours |
另約時間 |
指定閱讀 |
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參考書目 |
修海林。《中國古代音樂美學》。福州:福建教育出版社,2004.
修海林、羅小平。《音樂美學通論》。上海:上海音樂出版社,2002, 2006.
劉承華。《中國音樂的神韻》。福州:福建人民出版社,2004.
--------. 《中國音樂的人文闡釋》。上海:上海音樂出版社,2002.
--------. 《古琴藝術論》。南京:江蘇文藝出版社,2002.
劉藍。《中國音樂美學》。台北:文津,2006.
Berman, Laurence. The Musical Image: a Theory of Content. Westport, Connecticut: Greenwood Press, 1993
Budd, Malcolm. Music and The Emotions: The Philosophical Theories. London: Routledge &
Kegan, 1985.
Cooke, Deryck. The Language of Music. Oxford, 1959.
Davies, Stephen. Musical Meaning and Expression. Ithaca: Cornell University Press, 1994.
----------. “The Evaluation of Music,” What is Music? An Introduction to the Philosophy of Music. Philip Alperson, ed. University Park, Pennsylvanis: Pennsylvanis State University, 1994; pp. 306-25.
Fubini, Enrico. The History of Music Aesthetics; trans. by Michael Hatwell. London: Macmillan press, 1990.
---------. Music and Culture in Eighteenth-Century Europe. Chicago: University of Chicago Press, 1994.
Hanslick, Edward. On the Musically Beautiful. 1891.
----------. 《論音樂的美─音樂美學的修改芻議》楊業治譯,北京:人民音樂出版社,1982.
Katz, Ruth and Carl Dahlhaus, ed. Contemplating Music: Source Readings in the Aesthetics of Music. 3 Vols. New York, 1986.
Kivy, Peter. Sound and Sentiment: An Essay on the Musical Emotions. Philadelphia, 1989.
---------. Sound and Semblence: Reflections on Musical Representation, Ithaca, 1991.
---------. Music Alone: Philosophical Reflections on the Purely Musical Experience. Ithaca, 1990.
Langer, Susanne K. Philosophy in a New Key : A Study in the Symbolism of Reason, Rite, and Art. Cambridge, 1957.
---------. Feeling and Form: A Theory of Art Developed from Philosophy in a New Key . New York, 1953.
----------.《情感與形式》,劉大基 等譯. 台北: 商鼎 1991.
Le Huray, Peter and James Day. Music and Aesthetics in the Eighteenth and Early-Nineteenth Centuries. Cambridge: Cambridge University Press, 1988.
Lippman, Edward A. A Humanistic Philosophy of Music. New York : New York University Press, 1977.
---------. Musical Aesthetics: A Historical Reader . 3 vols. Stuyvesant, New York: Pendragon Press, 1986.
---------. A History of Western Musical Aesthetics. Nebraska, Lincoln, 1992.
(部份中譯:《西洋音樂美學史》,方銘健譯;台北:國立編譯館,2000)
Levinson, Jerold. The Pleasures of Aesthetics: Philosophical Essays. Ithaca: Cornell University press, 1996.
----------. “Pleasure and the Value of Works of Art,” The Pleasures of Aesthetics: Philosophical Essays. Cornell UP, 1996; ch. 2.
----------. “Evaluating Music,” in Musical Worlds: New Directions in the Philosophy of Music. Philip Alperson, ed. Pennsylvania State University Press, 1998.
---------. Music, Art, and Metaphysics: Essays in Philosophical Aesthetics.
Maconie, Robin. The Concept of Music. Oxford: Clarendon Press, 1990.
Meyer, Leonard B. Emotion and Meaning in Music . Chicago: University of Chicago Press, 1956.
---------. Music, the Arts, and Ideas: Patterns and Predictions in 20th-Century Culture. Chicago: University of Chicago Press, 1967.
---------. Explaining Music
Nattiez, Jean Jacques. " Musical Meaning : The Symbolic Web," from Music and Discourse: Toward a Semiology of Music, ch. 5. Translation and abridgment of Musicologie generale et semiologie (Paris, 1987). Carolyn Abbate trans. Princeton, 1990.
Plato, The Dialogues of Plato
Rosen, Charles. The Classical Style: Haydn, Mozart, Beethoven. New York: W. W. Norton, 1972.
----------. Sonata Forms (revised edition). New York: W. W. Norton, 1988.
Rowell, Lewis. Thinking About Music: An Introduction to the Philosophy of Music. Amherst,
Massachusetts: University of Massachusetts Press, 1983.
Scruton, Roger. The Aesthetics of Music. Oxford: Clarendon Press, 1997.
Sparshott, F. E. "Aesthetics of Music," New Grove Dictionary of Music and Musicians.
Strunk, Oliver, & Leo Treitler eds. Source Readings in Music History. New York: Norton, 1998.
Weiss, Piero and Richard Taruskin, eds. Music in the Western World: A History in Document. New York: Schirmer, 1984. |
評量方式 (僅供參考) |
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