|
課程名稱 |
典藏自然:自然史博物館巡禮 Archiving Nature: Introduction to the Natural History Museums |
|
開課學期 |
114-1 |
|
授課對象 |
生命科學院 生態學與演化生物學研究所 |
|
授課教師 |
胡哲明 |
|
課號 |
EEB5097 |
|
課程識別碼 |
B44EU2090 |
|
班次 |
|
|
學分 |
2.0 |
|
全/半年 |
半年 |
|
必/選修 |
選修 |
|
上課時間 |
星期三6,7(13:20~15:10) |
|
上課地點 |
生科4A |
|
備註 |
本課程以英語授課。 總人數上限:50人 |
|
|
|
|
課程簡介影片 |
|
|
核心能力關聯 |
核心能力與課程規劃關聯圖 |
|
課程大綱
|
|
為確保您我的權利,請尊重智慧財產權及不得非法影印
|
|
課程概述 |
自然史博物館是典藏、保存並詮釋自然世界的重要機構,收藏範圍從化石、植物到動物,乃至與自然相關的文化物件。它們在科學研究、教育推廣以及社會公共參與中,扮演不可或缺的角色,同時既是生物多樣性的檔案庫,也是文化交流的平台。
本課程將介紹自然史博物館的基礎與當代角色。我們將討論探索與蒐藏如何奠定博物館的基礎,典藏如何保存與管理,博物館如何與社會溝通,以及如何回應數位典藏與倫理爭議等新挑戰。課程不僅是概念性的學習,學生也將實際參與其中:透過作業,練習館藏解說與展覽企劃評估;並在期末以小組合作的方式,策劃並公開展示一個小型展覽。 |
|
課程目標 |
修習本課程後,學生應能:
1. 理解自然史博物館在歷史與當代的角色。
2. 認識典藏保存、編目與其在研究與教育上的應用方式。
3. 批判性地思考與典藏、展覽相關的倫理與社會議題。
4. 練習簡要表達與自然史館藏解說的能力。
5. 評估並提供建設性的展覽企劃回饋。
6. 運用課程所學,規劃並完成小組策展,面向公眾展示。 |
|
課程要求 |
This course includes two assignments and one final project. Detailed guidelines will be provided separately.
1. Assignment 1 (Week 4)
o Individual lightning talk introducing a natural history object.
o Purpose: practice concise presentation and explore museum resources.
o 個人閃電報告,介紹一件自然史館藏。
o 目的:訓練簡要的口頭表達,並探索博物館資源。
2. Assignment 2 (Weeks 9–12)
o Group exhibition proposal with peer review and progress check.
o Purpose: encourage early preparation, critical evaluation, and iterative improvement.
o 小組展覽企劃書,並進行同儕評閱與進度檢查。
o 目的:鼓勵提早準備,培養批判性評估與反覆修正的能力。
3. Final Project (Weeks 14–16)
o Group exhibition and public showcase (1–5 members).
o Each member must take responsibility for a clear sub-task.
o Purpose: apply course knowledge to curate and communicate natural history in a real setting.
o 小組展覽與公開展示(1–5人一組)。
o 每位成員必須負責一個明確的子任務。
o 目的:將課程所學應用於實際策展與自然史知識的傳達。
|
|
預期每週課前或/與課後學習時數 |
2-3 hours |
|
Office Hours |
另約時間 |
|
指定閱讀 |
|
|
參考書目 |
Key Readings (必讀 / 核心)
• Dorfman, E. 2017. The future of natural history museums. Routledge.
• Farber, P.L. 2000. Finding order in nature: the naturalist tradition from Linnaeus to E. O. Wilson. Johns Hopkins University Press.
• Grande, L. 2017. Curators – Behind the scenes of natural history museums. The University of Chicago Press.
• Miller, S.E. et al. 2020. Building natural history collections for the twenty-first century and beyond. BioScience 70:674-687.
• Paton, A. et al. 2020. Plant and fungal collections: current status, future perspectives. Plants People Planet 2: 499-514.
• Pleijel, F. et al. 2008. Phylogenies without roots? A plea for the use of vouchers in molecular phylogenetic studies. Molecular Phylogenetics and Evolution 48:369-71.
• Suarez, A.V., & Tsutsui, N.D. 2004. The value of museum collections for research and society. BioScience 54: 66-74.
• Louw, M., & Crowley, K. 2013. New Ways of Looking and Learning in Natural History Museums: The Use of Gigapixel Imaging to Bring Science and Publics Together. Curator: The Museum Journal 56(1): 87-104.
• Schwan, S., Grajal, A., & Lewalter, D. 2014. Understanding and Engagement in Places of Science Experience: Science Museums, Science Centers, Zoos, and Aquariums. Educational Psychologist 49(2): 70-85.
• Porter, C.M. 1995. Essay Review: The history of scientific illustration. Journal of the History of Biology 28: 545-550.
• Murphy, B. L. (ed.) 2016. Museums, ethics and cultural heritage. Routledge.
Recommended Readings (推薦 / 延伸)
• Alberti, S. J. M. M. 2005. Objects and the Museum. Isis, 96(4), 559–571.
• Conn, S. 2010. Do Museums Still Need Objects? University of Pennsylvania Press.
• Macdonald, S. (ed.) 2011. A Companion to Museum Studies. Wiley-Blackwell.
• MacGregor, A. 2007. Curiosity and Enlightenment: Collectors and Collections from the Sixteenth to the Nineteenth Century. Yale University Press.
• Sheets-Pyenson, S. 1988. Cathedrals of Science: The Development of Colonial Natural History Museums during the Late Nineteenth Century. McGill-Queen’s University Press.
• Cook, J. et al. 2014. Natural history collections as emerging resources for innovative education. BioScience 64:724-735.
• Serrell, B. 2006. Judging exhibitions – a framework for assessing excellence. Left Coast Press.
• Chicone, S.J. & Kissel, R.A. 2013. Dinosaurs and Dioramas: Creating Natural History Exhibitions. Left Coast Press.
• Rader, K.A., & Cain, V. 2014. Life on Display: Revolutionizing Museums of Natural History and Science in America, 1910–90. University of Chicago Press.
A full list of references is available on NTU COOL.
|
|
評量方式 (僅供參考) |
|
|
週次 |
日期 |
單元主題 |
|
Week 1 |
9/3 |
Introduction: Why archive nature? |
|
Week 2 |
9/10 |
Global natural history exploration |
|
Week 3 |
9/17 |
Institutionalization of natural history museums |
|
Week 4 |
9/24 |
Assignment 1: Lighting talks |
|
Week 5 |
10/1 |
Collection management I: Preservation and cataloging |
|
Week 6 |
10/8 |
Collection management II: loans, research use, and regulations |
|
Week 7 |
10/15 |
Introduction to exhibition curation
Museum & society: outreach & education |
|
Week 8 |
10/22 |
Loan box & object-based learning |
|
Week 9 |
10/29 |
Digital collections & future museums
Submission of Assignment 2 (project proposal) |
|
Week 10 |
11/5 |
The Code of Ethics: decolonization and other ethical issues
Submission of peer reviews |
|
Week 11 |
11/12 |
Project progress check |
|
Week 12 |
11/19 |
Special talk: Design/curate an exhibition for natural history |
|
Week 13 |
11/26 |
Final project preparation |
|
Week 14 |
12/3 |
Final project preparation |
|
Week 15 |
12/10 |
Final project presentation: Being a mini-curator (from 12:00-14:00, @1F, Life Science Building) |
|
Week 16 |
12/17 |
Submission of final written report |
|